ORT | CERETTA | CONSONNI
Students of all levels (Italians and foreigners) pay a special price of €5.00 all inclusive (the ticket can only be purchased at the ticket office, NOT online)
Normal discounts apply to:
Over 65s
> Season ticket holders for the Theatre Season of Teatro Verdi
> ACI – ViaVai
> A.Gi.Mus Firenze
> ARCI Firenze
> Associazione Culturale “Il Trillo”
> FAI – Fondo Ambiente Italiano
> Fondazione Palazzo Strozzi (upon presentation of the ticket for the current exhibition)
> Italian Design Istitute
> Opera Santa Croce (upon presentation of the ticket for the visit carried out)
> Touring Club Italiano
> UniCoop – Firenze
> Università dell’Età Libera
> Welfare Interclub
For safety reasons, for spectators with a certified disability equal to or greater than 70% a reserved area is set aside near one of the exits at the back of the stalls (4 seats available for disabled people with mobility impairments and 5 seats for disabled people who are able to walk). These spectators are entitled to a reduced ticket and a free ticket for their service companion.
The purchase can be made EXCLUSIVELY by contacting the Teatro Verdi ticket office via email (info@teatroverdionlilne.it), by telephone at 055.21.23.20 or even in person.
This concert can be included in one of the season ticket formulas provided (from € 48.00 to € 250.00):
– ALL-INCLUSIVE (14 concerts)
– OCTET (8 concerts)
– DO-IT-YOURSELF (from 5 to 12 concerts)
– DIY OPEN (3 to 6 concerts)
For more information click here
Tickets for this event can also be purchased with the Teacher’s Card – Culture Bonus and with 18 Apps, both at the theatre ticket office and through the Ticketone website.
Info
Orchestra della Toscana
Diego Ceretta conductor
Martina Consonni piano
***
Program:
Ludwig van Beethoven/ Piano Concerto No. 3 Op. 37
Luigi Cherubini /Symphony in D major
A programm that brings together two classics of different imprints: the balanced measure of the early 19th century Viennese and the structured energy of the French school.
On the podium will be Diego Ceretta, principal conductor of the ORT, at the centre of a season in which he is the protagonist of numerous appointments.
We begin with Ludwig van Beethoven’s Concerto No. 3 in C minor for piano and orchestra op. 37, written between 1800 and 1803, in a period of transition between Haydnian models and an increasingly personal voice. It is a work of restrained tension, built on the contrast between dramatic impetus and lyrical cantabile.
The solo part is entrusted to Martina Consonni, a pianist from Lombardy already active in important festivals and international halls, a careful and rigorous interpreter, capable of digging into structure and sound with intelligence.
She closes with Luigi Cherubini’s Symphony in D major, composed in 1815. Far from the lightness of Rossini, it is a compact, incisive score, based on a severe language that combines classical counterpoint with the theatrical tension of its author.
