 
          Students of all levels (Italians and foreigners) pay a special price of €5.00 all inclusive (the ticket can only be purchased at the ticket office, NOT online)
Normal discounts apply to:
Over 65s
> Season ticket holders for the Theatre Season of Teatro Verdi
> ACI – ViaVai
> A.Gi.Mus Firenze
> ARCI Firenze
> Associazione Culturale “Il Trillo”
> FAI – Fondo Ambiente Italiano
> Fondazione Palazzo Strozzi (upon presentation of the ticket for the current exhibition)
> Italian Design Istitute
> Opera Santa Croce (upon presentation of the ticket for the visit carried out)
> Touring Club Italiano
> UniCoop – Firenze
> Università dell’Età Libera
> Welfare Interclub
For safety reasons, for spectators with a certified disability equal to or greater than 70% a reserved area is set aside near one of the exits at the back of the stalls (4 seats available for disabled people with mobility impairments and 5 seats for disabled people who are able to walk). These spectators are entitled to a reduced ticket and a free ticket for their service companion.
The purchase can be made EXCLUSIVELY by contacting the Teatro Verdi ticket office via email (info@teatroverdionlilne.it), by telephone at 055.21.23.20 or even in person.
This concert can be included in one of the season ticket formulas provided (from € 48.00 to € 250.00):
– ALL-INCLUSIVE (14 concerts)
– OCTET (8 concerts)
– DO-IT-YOURSELF (from 5 to 12 concerts)
– DIY OPEN (3 to 6 concerts)
For more information click here
Tickets for this event can also be purchased with the Teacher’s Card – Culture Bonus and with 18 Apps, both at the theatre ticket office and through the Ticketone website.
Orchestra della Toscana
Balázs Kocsár conductor
Alexey Stadler cello
***
Program:
Paolo Catenaccio / Grande Danse, Concerto for Cello and Orchestra, World Premiere – ORT Foundation Commission
Pëtr Il’ič Čajkovskij / Variations on a Rococo Theme, Op. 33
Wolfgang Amadeus Mozart / Symphony No. 36 K 425 ‘Linz’
A new ORT commission opens the concert conducted by Balázs Kocsár, a leading figure on the Hungarian music scene, active in opera houses and concert halls throughout Europe.
The piece, still unpublished, is by Paolo Catenaccio, an Italian composer born in 1998, author of refined and terse music, often in dialogue with solo instruments and classical structures.
The commission, for cello and orchestra, will be entrusted to the interpretation of Alexey Stadler, a Russian soloist with a profound sensitivity, trained with Rostropovič and already applauded alongside Gergiev, Eschenbach and Currentzis.
Next are Tchaikovsky‘s Variations on a Rococo Theme, Op. 33 (1876), dedicated to the cellist Fitzenhage, who altered them. The original version, rediscovered later, better reflects the composer’s classical intent.
The Symphony “Linz” by Wolfgang Amadeus Mozart, written in a few days in 1783, closes: elegant, brilliant, one of the composer’s happiest symphonic inventions.